Showing posts with label Health. Show all posts
Showing posts with label Health. Show all posts

Charlie Sheen revisits alter-ego in movie “Mind of Charles Swan”






LOS ANGELES (Reuters) – It’s a downward spiral for Charlie, a successful professional whose life slides into despair when his girlfriend breaks up with him.


This Charlie could be Charlie Sheen, but it’s actually the fictional Charles Swan, a charming, immature character played by Hollywood’s favorite bad boy actor and filmed only a few months after Sheen‘s off-screen antics got him fired in 2011 from TV comedy “Two and a Half Men.”






Sheen stars in “A Glimpse Inside the Mind of Charles Swan III,” opening in U.S. movie theaters on Friday. The film is directed and written by Roman Coppola, son of “The Godfather” director Francis Ford Coppola.


Coppola, 47, who is Oscar-nominated for his work on the screenplay of “Moonrise Kingdom,” talked with Reuters about working with Sheen on the “playful romp” about lost love and revenge fantasies set in a stylized Los Angeles.


Q: Did you write the film specifically for Charlie Sheen to star in?


A: “I didn’t write it for him in mind. I was excited to write a piece about a very outlandish lead character, someone charming, immature, struggling and full of imagination. As I was finishing it, I kind of realized Charlie Sheen would be perfect. Both are larger than life. They use their wit and charm to smooth over problems in their life to not deal with things. But it’s a coincidence that it’s the same first name.”


Q: Both of you are part of Hollywood dynasties. Your father is Francis Ford Coppola and his dad is Martin Sheen. When did you and Charlie first meet?


A: “We met as boys when we were around 11 years old on the set of (the 1979 film) ‘Apocalypse Now’ (which Francis Ford Coppola directed and Martin Sheen starred in). Our families were in the Philippines (for the shoot) for many months so Charlie and I became pals. We have a lot of fond memories hanging out together in that exotic location.”


Q: What type of memories?


A: “I remember being with him when they built the (fictional) Kurtz Compound. Charlie and I would cruise around (the set) and there would be all sorts of skulls and weapons and things that are interesting to 11-year old boys. I was also interested in theatrical makeup, so I introduced Charlie to the hobby of making scars.”


Q: Did you get any pushback from family, friends or financiers when you decided to cast Sheen in “Charles Swan“?


A: “Basically there was no film company willing to finance the movie with Charlie. Insurance companies didn’t want my business, nor did any bond company. There was very little support in the film community to finance that picture. So I had to be very crafty about getting the financing.”


Q: Were you surprised at that?


A: “I was surprised to some degree because I had other talent attached to it like Jason Schwartzman and Bill Murray. You’d think that would tip people’s curiosity. When people say ‘No’ or ‘Why would you want to cast Charlie Sheen?’ it makes me feel like everyone else is crazy.”


Q: But it’s Charlie who conjures up the images of crazy – public battles with “Two and Half Men” creator Chuck Lorre and his ex-wives, Denise Richards and Brook Mueller. He is the one who was in rehab for drugs, who damaged hotel rooms, lived with porn stars, and called himself a warlock with “tiger blood” and “Adonis DNA.”


A: “But that’s very comic book, that’s not a real person. That’s a portrayal that comes from wanting to make stories. He’s an individual. He’s obviously a talented guy and talent doesn’t go away. Ten years ago we’d be having this exact same conversation about Robert Downey Jr. and how crazy and irresponsible he is. Now we know he’s at the top of his game. So to me it’s kind of immature to cotton to that kind of stuff. It’s gossipy and phony.”


Q: So none of that was prevalent during the shooting of your film?


A: “Charlie was totally committed throughout the entire shooting. He showed up every day, he knew his lines, he learned Spanish and he learned to dance. I had a professional, fantastic experience with a highly skilled and dedicated performer.”


Q: How would you describe Charlie’s acting?


A: “He’s very intuitive. On a technical level, he’s very experienced and capable. He knows where to stand, where the light is. Then there is the magical aspect of acting where you’re able to create a see-through veil in which your feelings come out and they’re captured by the camera.


“No one knows how it works. Some people can do it and Charlie certainly has it. So despite all the chitter chatter of Charlie this and breakdown that, he’s a fine actor and he shines in this performance.”


(Reporting By Zorianna Kit, editing by Jill Serjeant and Doina Chiacu)


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Katie Holmes takes fashion line crosstown






NEW YORK (AP) — Katie Holmes and her business partner and stylist Jeanne Yang joined the New York Fashion Week frenzy last season with a show at Lincoln Center, only to leave it behind this time around.


It wasn’t all the people, or even the paparazzi, that drove them away. It was their own clothes. Their look, which they describe as one of careful artistry and potential heritage pieces that women will keep a lifetime, is a little too quiet for all the splash, they said.






“We wanted to tell the full story behind the frivolity,” said Yang, adding: “It’s a quiet approach.”


Holmes and Yang sat down at a hotel on the opposite side of Manhattan with a handful of fashion journalists on Thursday, the opening day of fashion week, to walk them personally through 15 looks Holmes called their favorites.


Katharine Hepburn‘s practical-yet-chic look of the 1940s, Donna Karan‘s use of the shoulders and back as erogenous zones, Halston’s glamorous sportswear and Chanel’s mastery of seaming and studs were all in their minds as they built the pieces and outfits.


“We’re not trying to be trendy … but we’re trying to make high-quality pieces you’ll wear over and over again,” Holmes said.


Holmes was wearing an A-line shirtdress in the blue-and-black plaid that was dominant in the collection, while Yang wore one of the slouchy blazers that has become a key piece for the label, founded in 2009.


For fall, they’ll offer a peplum top with a suede waist band and maxi skirt in the same plaid. Holmes suggested that outfit for a dinner out. Swap the shirt for a tank top for brunch and a blouse to go to the theater. Yang said she hoped a customer would “feel smart” in a white cashmere-silk boucle sweaterdress with a strip of white silk at the hem.


Holmes, meanwhile, was partial to the baggy suede caramel-colored pants that hit just above the ankle, worn with a bow-neck blouse in a deep shade of lipstick pink.


The duo made a point of noting that 70 percent of production of Holmes & Yang happens in New York and the other 30 percent in Los Angeles.


___


Follow Samantha Critchell on Twitter at http://twitter.com/AP_Fashion


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CBS Films Moves Up Robert De Niro-Michael Douglas Comedy ‘Last Vegas’






LOS ANGELES (TheWrap.com) – CBS Films on Wednesday has moved up the release date for “Last Vegas,” its comedy starring Michael Douglas and Robert De Niro, from December 20 to Nov 1.


The move positions the film – about four old friends who decide to throw a Las Vegas bachelor party for the only one of them who has remained single – as counter-programming to Summit’s young adult sci-fi film “Ender’s Game.”






Its original slot buried it in a busy date that included the Paramount comedy “Anchorman: The Legend Continues,” as well as two dramas, Sony’s “Monuments Men” and Disney’s “Saving Mr Banks,” and the Fox family adventure “Walking with Dinosaurs.”


Morgan Freeman, Kevin Kline and Mary Steenburgen co-star in “Last Vegas.” Directed by Jon Turteltaub (“National Treasure”), Dan Fogelman wrote the original screenplay. It’s being produced by Laurence Mark and Amy Baer. Good Universe’s Nathan Kahane and Nicole Brown will executive produce. Matt Leonetti will co-produce.


Executive vice president of production Maria Faillace and creative executive Alex Ginno are overseeing the project for CBS Films.


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Daniel Day-Lewis seen winning Best Actor Oscar, poll shows






LOS ANGELES (Reuters) – Daniel Day-Lewis is expected to make Hollywood history by winning his third Best Actor Oscar on February 24 but the public is split over who deserves the Best Supporting Actor prize, a Reuters poll showed on Wednesday.


Day-Lewis, 55, has already picked up almost every major award this season for playing U.S. President Abraham Lincoln in Steven Spielberg‘s Civil War-era drama “Lincoln” and he is front-runner for the top British BAFTA award on February 10.






A Reuters Ipsos poll of 909 Americans found 21 percent thought British-born Day-Lewis, 55, should win and 26 percent said he was most likely to win Best Actor at the Oscars for Lincoln, a role he assumed both off and on set during filming.


He is up against Hugh Jackman, who came second in the Reuters poll for musical “Les Miserables,” Bradley Cooper in the quirky romance “Silver Linings Playbook,” Joaquin Phoenix in cult drama “The Master” and Denzel Washington as an alcoholic pilot in “Flight.”


If Day-Lewis does win, he will be the first man to take home the Best Actor statue three times, having won the award in 1990 for playing severely disabled Irish artist Christy Brown in “My Left Foot” and in 2008 for his role as oil prospector Daniel Plainview in “There Will be Blood.”


But Day-Lewis, who chooses his roles carefully and has only appeared in 10 films in the past 20 years, was not taking a win for granted. It took Spielberg three attempts to persuade him to sign up for the lead role in “Lincoln.”


“Members of the Academy love surprises, so about the worst thing that can happen to you is if you’ve built up an expectation,” the actor told reporters after winning the Screen Actors Guild trophy in Los Angeles last week.


Bookmakers, however, were not expecting any surprises, with Day-Lewis the clear favorite to win the Best Actor award.


But the public was less certain on who would bag the award for Best Supporting Actor from the 6,000 members of the Academy of Motion Picture Arts and Sciences.


The field of five includes Alan Arkin from Iran hostage drama “Argo,” Robert De Niro as the father in “Silver Linings Playbook,” Philip Seymour Hoffman from “The Master,” Tommy Lee Jones in “Lincoln,” and Christoph Waltz in “Django Unchained.”


The results at awards ceremonies so far this year have been mixed.


Jones won at the Screen Actors Guild, Waltz won the Golden Globe, and Seymour Hoffman was chosen Best Supporting Actor at the Critics Choice Movie Awards.


Almost half of the respondents to the online poll, conducted Friday through Tuesday, were unsure who should win at the Oscars in the supporting actor category.


Some 20 percent chose Jones, while 14 percent picked De Niro as the actor most likely to take home the Oscar.


The accuracy of the poll uses a statistical measure called a “credibility interval” and is precise to within 2.8 percentage points.


Bookmakers, however, put 66-year-old Jones as the front-runner to win his second Oscar for his role as liberal congressman Thaddeus Stevens in “Lincoln.” He won the Academy Award for Best Supporting Actor in 1994 for “The Fugitive.”


(Reporting by Belinda Goldsmith; Editing by Jill Serjeant and Eric Walsh)


Movies News Headlines – Yahoo! News





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Kiefer Sutherland honored by Harvard theater group






CAMBRIDGE, Mass. (AP) — Golden Globe-winning actor Kiefer Sutherland has been named Man of the Year by Harvard University‘s Hasty Pudding Theatricals.


Sutherland will be roasted and receive his ceremonial pudding pot at a ceremony scheduled for Friday.






The 46-year-old Sutherland has been in dozens of films but is perhaps best known for his role as Jack Bauer in the television series “24,” for which he won Golden Globe and Primetime Emmy awards. He is currently starring in the television show “Touch.”


Last year’s Man of the Year was Jason Segel.


The 2013 Woman of the Year, Marion Cotillard (koh-tee-YAR’), was honored last week.


Hasty Pudding Theatricals is the nation’s oldest undergraduate drama troupe.


The awards are presented annually to performers who have made a lasting and impressive contribution to entertainment.


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Bolshoi ballet chief heads to Germany after attack






MOSCOW (AP) — The artistic director of the Bolshoi ballet said he knows who ordered an acid attack that left him with severe burns to his eyes and face but won’t say, voicing hope that investigators will soon name the perpetrator.


Sergei Filin checked out of a Moscow hospital Monday and headed to Germany for further rehabilitation.






Filin, 42, wore shades and a bandage on his head, and skin on his face was red and swollen from burns. But he spoke energetically and seemed to be in a good mood as he walked out of the hospital accompanied by his wife.


“My body is full of strength and energy,” he told reporters.


Filin earlier told Russian state television that he knew who ordered the attack but wouldn’t give names. “My heart tells me who did it,” Filin told Rossiya 24 television in an interview broadcast late Sunday.


He said that investigators would visit him in Germany as part of the continuing probe.


An attacker threw sulphuric acid in Filin’s face in Moscow on Jan. 17, as he was returning home from work.


“I felt enormous, unbearable pain,” Filin recalled in the television interview. “I fell face down in the snow and started rubbing my face and eyes with snow.”


His colleagues said the attack on Filin could be in retaliation for his selection of certain dancers over others for the prized roles.


The Bolshoi has been plagued by intrigue and infighting that have led to the departure of several artistic directors over the past few years.


Filin told reporters Monday as he was leaving the hospital that he’s still seeing as if through a mist as his eye treatment is continuing, and added that he will have to undergo further eye surgery in Germany.


“I don’t care about my face, my hair, my looks,” he said in the television interview. “I’m ready to be completely bald, look like a Frankenstein. It will have no impact on my heart, on my soul. All my inner self, all my energy is focused on recovering eyesight.”


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NBC News President Capus to leave network






(Reuters) – NBC News President Steve Capus will be leaving the network in the coming weeks after struggles at the unit, including lower ratings for its flagship morning TV show, “Today.”


No replacement has been named for Capus, president of NBC News since 2005, according to a company memo obtained by Reuters. In a statement, Capus said it was “now time to head in a new direction.”






Three sources close to NBC said his departure had been rumored around the halls after parent Comcast Corp reorganized the news division in July, bringing in Patricia Fili-Krushel to head the news unit’s business operations. After that change, these sources said, Capus’ departure became a matter of when, not if.


Prior to Comcast’s takeover, the three heads of NBC‘s news operations — Mark Hoffman at CNBC, Phil Griffin at MSNBC and Capus — all reported directly to Jeff Zucker, who was not only NBC’s chief executive but also well-versed in hard news.


“There was a natural flow to the news division under Zucker. They all spoke the same language,” said one of these sources. “No disrespect to Pat, but she’s not viewed as a news person.”


Indeed, both Capus and Zucker basically grew up with each other at NBC, spending about 20 years together at the network. Capus did not say what his next move would be. Zucker, the executive who promoted him seven years ago at NBC, is now the worldwide president of CNN, owned by Time Warner Inc.


The sources said it would not be a surprise if Capus eventually resurfaced in a new position under Zucker at CNN. Earlier this week, Mark Whitaker, the managing editor at CNN, announced his resignation to make room for Zucker to install his own team. Prior to his joining CNN, Whitaker worked at NBC News under both Capus and Zucker.


Fili-Krushel said in a memo to staff on Friday that until a replacement for Capus is found, NBC News will operate under an interim structure with various executives reporting to her. She will start the search for a successor in coming weeks, with Capus helping with the transition.


Two other sources said that the recent view internally has been that Antoine Sanfuentes, an executive who oversees NBC News‘ Washington bureau and the Sunday political talk program “Meet the Press,” was being groomed to replace Capus. Fili-Krushel said in her memo that Sanfuentes will report to her and serve as interim managing editor responsible for editorial decision-making.


The first three sources said they had expected Capus to announce his departure at the end of last year to coincide with the announcement that Jim Bell was leaving as executive producer of the “Today” show to assume the newly created role of full-time executive producer of the Olympics.


Ultimately, Capus decided to trigger his departure by exercising an “out” clause built into his most recent contract, according to one of the first three sources.


Capus commanded the loyalty of NBC News staff, particularly the on-air talent and producers, all of the five sources agreed. Some of the major news events he worked on included the September 11 attacks, the discovery of anthrax in the NBC newsroom, the death of Britain’s Princess Diana and the wars in Iraq and Afghanistan. His resignation came as an unexpected blow to NBC News staff, despite the apparent grooming of Sanfuentes.


Savannah Guthrie, installed by Capus as “Today” show host after the departure of Ann Curry, tweeted on Friday that Capus was “a great leader and tireless advocate for NBC News” who will be missed.


NBC News made deep job cuts in 2006 after wider layoffs at the parent company. Rivals ABC News and CBS News have also made hundreds of layoffs in the past few years.


Capus said in his memo that he “tried to shield journalists from the tough economic pressures hoping that would give each of you the running room to focus solely on a commitment to outstanding journalism.”


RECENT STRUGGLES


NBC News has been the one part of the network’s news operations to show slippage in the last year. CNBC is far and away the leading business news network, as measured in ratings. MSNBC has not only surpassed CNN to become a strong No. 2 among general cable news networks, but has also closed the gap with long-time leader Fox News, owned by News Corp.


“Pat Fili-Krushel has a strong vision of the integration that is required to make the full array of NBC programming fire on all cylinders in unison. She also understands the need to complement both the owned station and Comcast cable group goals to leverage all to best advantage,” said Magid & Associates consultant Steve Ridge.


NBC News has ranked as the leader among network news broadcasts in both the morning and evening for much of Capus’ eight-year run as president. Two of the first three sources said he deserves credit for maintaining the “Today” show as the dominant morning news program, “NBC Nightly News” as the leading evening news broadcast, and “Meet the Press” as the marquee Sunday news program. But over the last year, Capus’ fiefdom has taken a few hits, most notably at the “Today” show.


NBC News, for example, was criticized for ousting Ann Curry as “Today” co-host after only one year.


The “Today” show has been in a back-and-forth ratings war with ABC’s “Good Morning America” ever since ABC snapped NBC’s 16-year unbeaten streak last year. “NBC Nightly News” is averaging 8.76 million total viewers, ahead of “ABC World News” and “CBS Evening News.” It has seen less ratings success with the news magazine “Rock Center with Brian Williams,” which debuted in 2011 and after being bounced around the schedule, will move to Friday nights on Feb 8.


NBC News also came under fire last spring when it decided to edit a call to police from George Zimmerman, the Florida man who shot unarmed teenager Trayvon Martin. The editing made it appear that Zimmerman told police, without being prompted, that Martin was black when, in fact, the full tape revealed that the neighborhood watch captain did so only when responding to a question posed by a dispatcher.


NBC has since been sued for defamation by Zimmerman.


(Additional reporting by Mark Hosenball in Washington; Editing by Lisa Von Ahn, Andrew Hay and Matthew Lewis)


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Filmmaker cries censorship as Italy political documentary blocked






ROME (Reuters) – A British filmmaker said on Friday he was a victim of censorship after a leading museum cancelled the Italian premiere of the documentary “Girlfriend in a Coma”, which is highly critical of Italy‘s political and economic situation.


The museum where the film was to have been shown on February 13 cancelled the showing and said it could not be held until after the country’s elections on Feb 24-25.






Former Economist magazine editor Bill Emmott, who made the film with Italian Annalisa Piras, called the decision by the Museum of 21st Century Art (MAXXI) a product of “censorship and stupidity”.


MAXXI, run by a foundation overseen by the culture ministry, said it could not be host to activity that can be seen to have political connotations ahead of the elections.


“This is not censorship,” a spokesperson said. “After the elections, the film can be shown here.” The election date has been known for nearly two months.


Emmott was for 13 years the chief editor of the Economist magazine, which published covers highly critical of former prime minister Silvio Berlusconi, including a famous 2001 cover which read: “Why Silvio Berlusconi is Unfit to Lead Italy”.


“I am shocked. I would not have been shocked if this had happened during the government of my good friend Silvio Berlusconi, but the culture ministry doing this now is astonishing,” he told Reuters by telephone from Jamaica.


The MAXXI is run by a foundation which is funded by the culture ministry.


The film, which has already shown in New York, Miami, Brussels and London, paints a picture of what the authors say is the country’s moral, social and economic decline over the past 20 years since Berlusconi came to power.


“What this decision reflects is a very cautious mentality that wants to hide the reality of the situation of Italy and seeks to stifle debate about the causes because they might be too revealing,” Emmott said.


The film addresses political corruption, media monopoly and corporate power. Among those interviewed are caretaker Prime Minister Mario Monti, filmmaker Mario Moretti, anti-Mafia writer Roberto Saviano, Fiat CEO Sergio Marchionne, former European Commissioner Emma Bonino and author Umberto Eco.


Emmott said he and the producers would lodge a protest with the culture ministry.


“If it is not shown at the MAXXI, we will arrange for it to be shown somewhere else,” he said.


(Reporting By Philip Pullella, additional reporting by Alberto Sisto; Editing by Stephen Powell)


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Roseanne Barr to Star in, Produce New Series for NBC






NEW YORK (TheWrap.com) – NBC is betting on the up-again-down-again Roseanne Barr, signing the television icon to an overall deal that calls for her to develop a show she will star in and produce for the network. She will executive produce the series with Steven Greener, with whom she collaborated on “Roseanne’s Nuts” for Lifetime.


As part of the deal, Barr also will guest star in a three-episode arc on NBC’s “The Office” as talent agent Carla Fern. She will help Andy Bernard (Ed Helms) pursue the career in show business he has always dreamed about. That arc begins filming this week.






Barr came close to scoring a new show with NBC just a year ago. The network picked up her “Downwardly Mobile” to pilot last January but never ordered it to series. A multi-camera comedy starring Barr as a trailer park operator, it would have re-teamed her with “Roseanne” co-star John Goodman.


“Roseanne” aired on ABC for close to a decade, and was one of the top TV shows in the country for most of those years, winning her an Emmy and a Golden Globe. TV Guide named it one of the 50 greatest TV shows of all time in 2002, and it helped turn Barr, at its inception a stand-up comedian, into a TV star.


In the show’s final year, she tried to launch a Roseanne Conner spin-off, but wasn’t able to pull it off. She then segued into her own talk show, which lasted two years, before returning to stand-up comedy and taking assorted TV and film roles, making her big-screen debut in 1989s “She-Devil” with Meryl Streep.


In 1990 she performed a controversial, loud and screechy “Star-Spangled Banner” before a baseball game between the San Diego Padres and the Cincinnati Reds.’


She is represented by Paradigm.


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ABC orders pilots for “Big Thunder” drama, Gothic soap opera






LOS ANGELES (TheWrap.com) – ABC has ordered pilots for the dramas “Big Thunder” and “Gothica,” the network said Tuesday.


“Big Thunder,” which is written by “Ice Age” writer Jason Fuchs (pictured) and executive produced by Chris Morgan (“Wanted,” “The Troop”) follows a brilliant doctor in late 19th century New York whose family is given a once-in-a-lifetime opportunity to relocate to a frontier mining town run by a powerful, but mysterious tycoon. However, they quickly realize that not everything in Big Thunder is as it seems.






ABC Studios is producing the pilot, which is based on the Big Mountain Thunder Railroad ride at several Disney-owned theme parks.


“Gothica,” meanwhile, is described as a “sexy gothic soap opera set in present day” that “weaves together a mythology that incorporates the legends of Dracula, Jekyll and Hyde, Frankenstein and Dorian Gray among others.”


The project, written by Matt Lopez, comes from ABC Studios and the Mark Gordon Company.


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Spielberg seen winning director Oscar for “Lincoln”






LOS ANGELES (Reuters) – American filmmaker Steven Spielberg is clear favorite among the public to win the best director award for his film about President Abraham Lincoln at the Academy Awards this year, a Reuters poll showed on Wednesday.


While the race to win best film at the February 24 ceremony was shaken up by “Argo” stealing the thunder of “Lincoln” at two award ceremonies last weekend, the best director statuette was deemed destined for one man.






Spielberg, 66, who has been nominated seven times for best director at the Oscars and won twice – for the World War Two dramas “Schindler’s List” in 1993 and “Saving Private Ryan” in 1998 – was seen as far ahead in the all-male field of five.


A Reuters Ipsos poll of 1,641 Americans found 41 percent thought Spielberg should win and 38 percent said he was most likely to win for his U.S. Civil War-era drama in which British actor Daniel Day-Lewis plays Lincoln.


Almost half of the respondents to the survey conducted Friday through Tuesday were unsure who should or was most likely to be voted best director. The accuracy of the poll uses a statistical measure called a “credibility interval” and is precise to within 2.8 percentage points.


The online poll comes before the Directors Guild of America awards on Saturday in Los Angeles. Since 1948, there have been only six occasions where the winner of the DGA Award for Feature Film has not gone on to win the Oscar for best director.


But this year, the Academy of Motion Picture Arts and Sciences, whose members choose Oscar winners, overlooked the directors of four of the year’s biggest movies – Ben Affleck (“Argo”), Kathryn Bigelow (“Zero Dark Thirty”), Quentin Tarantino (“Django Unchained”) and Tom Hopper (“Les Miserables”) – opening the possibility of a rare split in February in the best film and best director categories.


Betting agencies also have earmarked Spielberg as clear favorite, with William Hill offering odds of 1-5 on Spielberg.


“Our theory is that Spielberg will win best director but not best film,” said Rupert Adams, a spokesman for bookmaker William Hill. “If you listen to what people are saying it is that ‘Lincoln’ is a brilliant film in terms of direction but it is not that exciting to watch unlike ‘Argo.’”


Ang Lee, with his 3-D film adaptation of the best-selling novel “Life of Pi” about an Indian boy adrift at sea with a tiger, was ranked second in the Reuters poll with about one in 10 respondents saying he should or was most likely to win.


The Taiwanese director won the Academy Award for best director in 2005 for the gay-themed Western romance “Brokeback Mountain.”


David O. Russell with the quirky comedy “Silver Linings Playbook” was rated third in the poll with about 5 percent.


The two surprise contenders in the race ranked fourth and fifth: Benh Zeitlin, 30, with his first feature, “Beasts of the Southern Wild,” and Austrian director Michael Haneke with the French-language drama “Armour” about illness and old age.


The exclusion of Bigelow for her film about the hunt for Osama bin Laden has been controversial in the run-up to the 85th Academy Awards. Bigelow, 61, is the only woman to win a best director Oscar, for “The Hurt Locker” in 2009.


Affleck, 40, whose Iran hostage thriller “Argo” swept the board at last weekend’s Hollywood awards shows, was also notable by his absence, as were Hooper and Tarantino. However, all four of their movies are in the running for best film at the Oscars.


(Editing by Jill Serjeant and Belinda Goldsmith)


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Philadelphia opera co.: New name, new vision






PHILADELPHIA (AP) — The Opera Company of Philadelphia is getting a name change that officials say is in better harmony with its move toward more innovative programming and greater diversity in its repertoire.


The company said Tuesday it will now be known simply as Opera Philadelphia. The new name and logo will appear on all of its brochures and ads.






The announcement was made in conjunction with the unveiling of the 2013-2014 season.


The company plans to continue bringing opera to new audiences with surprise “pop-up” concerts in famous Philadelphia locations. Past performances at a downtown Macy’s and the Reading Terminal Market have received millions of views on YouTube.


Opera Philadelphia says it has five new operas in development and aims to present challenging contemporary works along with classics like “Carmen” and “La Boheme.”


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“Zero Dark Thirty” hits the U.K.: did critics zero in on torture scenes?






LOS ANGELES (TheWrap.com) – “Zero Dark Thirty” landed this week in the United Kingdom, where the Kathryn Bigelow drama continued to stir debate over its depiction of the use of torture in the CIA’s decade-long hunt for Osama bin Laden.


As they have in the U.S., some critics accused the filmmakers of implying that enhanced interrogation techniques could be a useful form of intelligence gathering, while others believed that Bigelow and screenwriter Mark Boal were more ambiguous in their portrayal of torture’s efficacy.






Most reviewers were floored by the propulsive storyline, the performance of star Jessica Chastain and the gripping dramatization of the raid on bin Laden’s compound in Pakistan.


In the Evening Standard, David Sexton argues that the film is ambivalent about waterboarding and other brutal methods, noting that a key piece of information is only discovered after interrogators ply a detainee with food and kindness.


“This has proved offensive to those who, to avoid having to accept there may be negative consequences from taking the moral high ground, prefer to believe that torture must always be ineffective as well as wrong,” Sexton writes. “Some of these critics – most notably nitwit Naomi Wolf, who has tastefully compared Bigelow to Leni Riefensthal and dubbed her ‘torture’s handmaiden’ – have claimed the film’s disturbing representation of torture amounts to a blithe commendation of the practice, not really a possible interpretation for those who have actually seen the movie.”


In a four-star review, Sexton went on to hail “Zero Dark Thirty” as “terrifically good” and said the depiction of the raid was a “masterclass in action filmmaking.”


In The Independent, Anthony Quinn praised the film for avoiding simplistic conclusions about America’s controversial interrogation methods.


“The waterboarding, the beatings, the dog collars, all the stuff you’ve heard about is here, and perhaps some you haven’t – the spectacle of a man being forced inside a small wooden box is as harrowing as any,” Quinn writes. “Is this an abhorrent crime? Would the information be impossible to gain by other means? The film isn’t saying either way; it is asking us to make up our own minds.”


Quinn also argued that the film is more effective because it was directed by a woman and that because of her gender, Bigelow has a less “gung-ho” relationship to violence than a Ridley Scott or Michael Mann might bring to the same material (he may not have seen “Point Break”)


Robbie Collins maintains in his review of the film in the Telegraph that Bigelow and Boal leave it to audiences to decide whether torture is right or wrong.


“These scenes are every bit as hellish to watch as they should be, and Bigelow’s genius is to make them feel at once gratuitous and necessary,” Collins writes.


He also praised the film for eschewing jingoism and for having the courage to end on a deflated note.


“Where, then, does Zero Dark Thirty leave us?” Collins asks.


“In the same place it leaves Maya: with our thirst for justice quenched, but our sense of rightness shaken. “Where do you want to go?” a pilot asks her, and she starts shedding tear after tear. This, finally, is what victory looks like, and its likeness to defeat is terrifying.”


Peter Bradshaw of The Guardian was more unsettled by the film’s relationship with torture and seemed to wish it had taken a firmer position.


“There is nothing in Zero Dark Thirty comparable to Gavin Hood’s soul-searching 2007 movie, Rendition, in which Jake Gyllenhaal’s CIA agent denounces waterboarding information as valueless; he quotes Shakespeare’s The Merchant of Venice and says torture victims ‘speak upon the rack,/ Where men enforced do speak anything,’” Bradshaw writes. “I can well believe that, but for me the most sinister depiction of torture is non-depiction. Many Hollywood movies about the war on terror have managed to ignore the subject, implying non-existence. Despite its fence-sitting, I prefer Bigelow’s account.”


Bradshaw was also less enamored of the film on an artistic level, writing that “It is well made, with a relentless, dour drumbeat of tension and a great final sequence, but nowhere near as good as the first season of Homeland.”


Empire Magazine’s Kim Newman mostly skirted the political debate surrounding “Zero Dark Thirty,” but was ecstatic about Bigelow’s directing, the film’s pacing and star turns.


“Like Bigelow’s The Hurt Locker, it’s a relatively new kind of American patriotic war movie, counterprogramming jaded paranoid fantasies like the Bourne movies or the liberal horror stories (Redacted, Rendition, In The Valley Of Elah, Green Zone etc.) thrown up by the War On Terror,” Newman writes. “It’s measured, seething with suppressed emotion, unafraid of slow stretches and false trails, snapping shut like a mantrap when blood is shed. If it grips in a more intellectual, journalistic manner than its Oscar-winning predecessor, it’s because Chastain’s character is necessarily absent during the climax – though she has a terrific post-traumatic outburst when the case is closed.”


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‘Argo’ wins Producers Guild Awards






LOS ANGELES (AP) — “Argo” continues to shake up the Oscar race by taking the top honor at the Producers Guild Awards on Saturday.


Ben Affleck, coming off winning Golden Globe Awards for best motion picture drama and director for the real-life drama, received the award handed out at the Beverly Hilton Hotel.






“I’d be remiss if I didn’t mention that I’m still working as an actor,” he said in his acceptance speech.


Affleck also stars in “Argo” as the CIA operative who orchestrated a daring rescue of six American embassy employees during the 1979 Iranian hostage crisis. George Clooney and Grant Heslov share the producer award with Affleck as “Argo” beat out the Civil War saga “Lincoln,” which has a leading 12 Academy Awards nominations.


Other nominees in the PGA movie category were “Les Miserables,” ”Zero Dark Thirty,” ”Beasts of the Southern Wild,” ”Django Unchained,” ”Life of Pi,” ”Moonrise Kingdom,” ”Silver Linings Playbook,” and Skyfall.”


Along with honors from other Hollywood professional groups such as actors, directors and writers guilds, the producer prizes have become part of the preseason sorting out contenders for Academy Awards.


The big winner often goes on to claim the best-picture honor at the Oscars on Feb. 24.


Disney’s “Wreck-It Ralph” won the guild’s animation category, beating “Brave,” ”Frankenweenie,” ”ParaNorman” and “Rise of the Guardians.”


“Searching for Sugar Man” took the documentary prize, beating “A People Uncounted,” ”The Gatekeepers,” ”The Island President,” and “The Other Dream Team.”


Showtime’s “Homeland” won the producer’s award for television drama series, which beat out “Breaking Bad,” ”Downton Abbey,” ”Game of Thrones,” and “Mad Men.”


The ABC sitcom “Modern Family” took the prize for best comedy series for the third straight year, beating “30 Rock,” ”The Big Bang Theory,” ”Curb Your Enthusiasm,” and “Louie.”


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Fox orders futuristic cop drama pilot from J.J. Abrams, J.H. Wyman






LOS ANGELES (TheWrap.com) – Fox has given the green light to a police drama pilot from “Fringeexecutive producers J.H. Wyman and J.J. Abrams, the network said Friday.


Described as an “action-packed buddy cop show,” the untitled project takes place “in the near future, when all LAPD officers are partnered with highly evolved human-like androids.”






Wyman is writing and executive-producing the one-hour drama project, along with Abrams.


Abrams’s Bad Robot Productions is producing in association with Warner Bros. Television. Bad Robot’s Bryan Burk is also executive-producing, with the company’s Kathy Lingg serving as co-executive producer.


Abrams, who’s been tapped to direct the maiden installment of the revived “Star Wars” movie franchise, sold a comedy pilot, “Adulting,” to Fox late last year. That project, a single-camera, half-hour comedy, is based on the Kelly Williams Brown book “Adulting: How to Become a Grown-up in 387 Easy(ish) Steps.”


“Fringe,” which was also on Fox, wrapped up its series run with a two-hour finale earlier this month.


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‘Dallas’ returns with J.R. Ewing’s final schemes






NEW YORK (AP) — J.R. Ewing wouldn’t hesitate to cheat his fellow man. He also famously cheated death.


In the second-season finale of “Dallas” back in 1980, he was shot by an unknown assailant in his office and left for dead. But he recovered nicely, and the cliffhanger question that gripped the nation (Who shot J.R.?) was answered that November in an episode seen by 80 million viewers.






This time, J.R. won’t get off so easy. During the second season of TNT’s rebooted “Dallas,” J.R. cashes in his chips and goes to his reward … wherever that may be.


Meanwhile, viewers, however braced they are for J.R.’s demise, will have to reckon with the loss of arguably TV’s greatest villain, and bid farewell to the actor who portrayed him so indelibly and also cheated death for years. Larry Hagman, who died of cancer at 81 the day after Thanksgiving, was diagnosed in 1992 with cirrhosis of the liver from a life of heavy drinking and, three years later, when a malignant tumor was discovered on his liver, successfully underwent a transplant.


This double loss would be a burden for any show to bear. “Dallas,” returning at 9 p.m. EST Monday, comes fully loaded.


“I think viewers want closure,” said Linda Gray, who plays J.R.’s long-suffering ex-wife, Sue Ellen. “They want to mourn Larry Hagman and J.R. Ewing. They want to know they can grieve the fact he won’t be around.”


But all that comes later. With its two-hour season premiere, “Dallas” carries on in familiar fashion, with the expected two-timing, squabbles, a kidnapping revealed, a stolen identity and assorted other mischief.


And never fear: J.R., though visibly frail, continues his reign as a scheming oilman and rascally Ewing patriarch.


“I came over to deliver some muffins to the pretty little secretaries,” he announces on making an unannounced visit to Ewing Energies headquarters before he laments, “Who could have guessed so many would turn out to be MEN? Where’s the sport in THAT?”


In another scene, J.R. shares sly counsel with his son, John Ross, on double-crossing other members of the family: “Love, hate, jealousy: Mix ‘em up and they make a mean martini. And when we take over Ewing Energies, you’ll slake your thirst — with a twist!”


The new “Dallas,” which debuted last June, is stocked with a troupe of young regulars (including Josh Henderson, who plays John Ross), as well as veterans of the original CBS series, notably Gray and Patrick Duffy as J.R.’s ever-upright brother, Bobby. J.R. will appear in a minimum of five or as many as seven of the season’s episodes before he meets his fate.


After that, can “Dallas” survive the dual deaths of its central character and legendary star?


“Larry being gone doesn’t eliminate the influence of the character of J.R.,” Duffy pointed out. Who knows what land mines J.R. will have left behind? “We can find business deals he did or schemes he started that now are coming home to roost, and they can turn up for years to come.”


“Whatever will happen on the show, we will be talking about J.R. Ewing and he will have done things that have a ripple effect,” Gray agreed. “He will always be there.”


“There’s a lot of driving forces on the show — not just J.R.,” added “Dallas” executive producer Cynthia Cidre, who, interviewed by phone a couple of weeks ago, was parked outside a posh Dallas social club where the wake for J.R. was about to be filmed.


She said this season she tried to use Hagman sparingly.


“He was the most delightful man and a total professional,” she said, “but he wasn’t well and we didn’t want to overtax him.”


Now, with his passing, “we want to give J.R., and Larry, the proper send-off.”


But she insisted there had been no contingency plan for how to plot J.R.’s demise in the event Hagman died in mid-season.


“We didn’t have a Plan B, on purpose,” said Cidre. “We just knew that we had Larry, so let’s use him, let’s enjoy him, and if something happens, we’ll scramble and fix it. I had great faith in the writers’ room. We knew the day might come and what we would do then: Figure it out.”


That day came in late November when she got a call from Duffy. “He told me, ‘Larry’s in the hospital and it isn’t good. He’s saying goodbye.’ In 24 hours we had fixed one of the scripts. We had two more scripts that had to be adjusted, and then this episode we’re shooting now, the Goodbye Episode.”


Roughly 85 percent of the season’s story line remains intact, she said, supplemented by the death of J.R. and the mystery surrounding it: Who Killed J.R.?


“The mystery has all the machinations of a great J.R. business deal, as opposed to a whodunit,” said Duffy. “Cynthia constructed a really interesting plot, of which I know Bobby’s portion” — including whodunit — “but I don’t know other stuff.”


“We all know, up to a point,” Gray said. “But they’ve got secret pages that we’ve not seen.”


“I hope that we have come up with something really wonderful and enticing,” said Cidre, “and by the time you’re done watching episode 208, which I call the Funeral Episode, I hope you’re saying, ‘Omigod, I didn’t see that coming, and I can’t wait to watch the rest of the season.’”


The mystery, she said, will continue through episode 15, “with a giant, delightful, delicious climax in the season finale.”


To get there, shooting continues until April on the Dallas set, where, even two months after Hagman’s passing, “I’m lonely because my best friend isn’t there to play with,” Duffy said. “I was with him from 1978 until his final hours in the hospital. But I have no regrets. Every day I think of him and smile.”


“I keep expecting him to walk in the door,” Gray said. “He’s so missed. But his presence is everywhere!”


___


Online:


http://www.tntdrama.com


___


Frazier Moore is a national television columnist for The Associated Press. He can be reached at fmoore(at)ap.org and at http://www.twitter.com/tvfrazier


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Charlie Brown voice actor pleads not guilty to threats, stalking






SAN DIEGO (Reuters) – The former child actor who was the voice of Charlie Brown in the 1960s “Peanuts” animated television specials pleaded not guilty on Wednesday to charges he threatened his girlfriend and a surgeon who carried out her breast enhancement surgery.


Peter Robbins, 56, from Oceanside, California, pleaded not guilty in San Diego Superior Court to two counts of stalking and 10 counts of criminal threats. If convicted, he could face up to nine years in prison, Deputy District Attorney Elizabeth McClutchey said.






Robbins was arrested on Sunday on outstanding warrants by U.S. Customs officers at the San Ysidro port of entry as he returned to San Diego from Mexico. He remains in jail.


McClutchey said on December 31 Robbins threatened Dr. Lori Saltz, the plastic surgeon he paid to perform breast enhancement surgery on his girlfriend, Shawna Kern.


The prosecution also alleged Robbins left several threatening phone messages for Kern, saying in one, “You better hide Shawna, I’m coming for you … and I’m going to kill you.”


Robbins allegedly threatened to kill a police sergeant who arrested him on January 13 after he refused to pay a restaurant bill at the San Diego hotel where he was staying.


Robbins was released on $ 50,000 bond the following day and given a January 28 court date.


McClutchey urged Judge David Szumowski to keep Robbins’ bail set at $ 550,000 because Kern and Saltz believed Robbins was a “desperate man” and “had nothing to lose.”


Defense attorney Marc Kohnen said the bail was excessive because Robbins had no criminal record and had never been in trouble with the law.


Robbins was 9 years old in 1965 when he became the voice of the world-weary yet optimistic title character of “A Charlie Brown Christmas,” the first of many animated TV specials based on the popular “Peanuts” comic strip by Charles Schulz.


With its jazz-inflected music score and a storyline involving Charlie Brown’s search for the true meaning of Christmas in a season corrupted by commercialism, it became a holiday TV classic.


The actor went on to voice Charlie Brown in “It’s the Great Pumpkin, Charlie Brown,” “You’re In Love, Charlie Brown” and “A Boy Named Charlie Brown,” which aired in the 1960s. He was replaced in later versions of the animated specials.


(Reporting by Marty Graham; Writing by Alex Dobuzinskis; Editing by Steve Gorman and Gunna Dickson)


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Actress Lake Bell finds her directorial voice “In A World”






PARK CITY, Utah (Reuters) – In a world where men rule the voice-over industry, actress Lake Bell brings a tale of women versus men and old versus new in her directorial debut comedy.


“In A World,” which premiered at the Sundance Film festival this week, follows voice-over artist Carol (Bell) attempting to follow in the daunting footsteps of her father (Fred Melamed), a famous and respected voice who is struggling to stay relevant as new talent emerges.






Written and directed by Bell, 33, who is best known for supporting roles in movies such as “No Strings Attached” and “What Happens in Vegas,” “In A World” is a quirky comedy with an unlikely heroine.


Bell talked to Reuters about the struggles of being in the voice-over world, her disdain for women with “sexy baby” voices, and what her superhero power would be.


Q: What drew you to the voice-over world for your film?


A: “I always envisioned that I was going to be one of the great voice-over artists. I thought I was going to kill it when I got to Hollywood. Since I was a kid, I loved accents, I collected them … I would manipulate my voice to make people laugh all the time. I liked this idea of being a blind voice – you could be any ethnicity, you could be from any country, you could be any race. I thought it was so cool that you wouldn’t be judged by who you are.”


Q: Your character, Carol, has to struggle with being a woman trying to break into the male-dominated world. Is that echoing the real-life industry?


A: “I started getting into the idea of the omniscient voice, the people who announce and tell you what to buy or how you should think about things, they help form your opinions. These random people from the sky, they always were male, and I thought it was an interesting subject to attack because why aren’t there any ladies? What are we, not omniscient? Are we not God?”


Q: How much of your own career struggles are reflected in Carol’s story?


A: “What’s interesting about Carol’s message is that she is a woman trying to find her voice, literally and also figuratively. As a filmmaker, I’m definitely embarking on this really beautiful journey of finding what my comedic voice is or what my filmic voice is.


“I’m lucky enough to have friends who took a chance on me and be in this film with me and respect me enough to let me direct them to do something different than maybe they’ve ever done before. There’s definitely parallels in feeling like I’m finding my own voice.”


Q: Was this an autobiographical film for you?


A: “It’s not anymore. Draft one is autobiographical, but by draft 25, it’s something else after so many rewrites, it takes on its own life. That’s what’s so cool about writing, you never know where it’s going to lead. I often like to write when I’m acting in something else because then I can show up and be part of the machine and be around creative people, and then come home and go off into different worlds in my head.”


Q: What do you want people to take away from watching this?


A: “I would hope in a fantasy world that the message is, people would somehow become aware of their own voice and respect it, because it’s a privilege. Women are plagued by the “sexy baby” vocal virus that is taken on, that is rampant in this nation. I just think that people should take themselves more seriously and give themselves a little more credit.”


Q: Do you have a dream role you’d like to play?


A: “The dream role is that I’m a superhero. I want to be a superhero … I want to have a superhero outfit because I like dressing up a lot. That would be fun.”


Q: What would your superhero power be?


A: “Right now, it’d be quelling the ‘sexy baby’ (voices) of the world and extinguishing them.”


(Reporting By Piya Sinha-Roy, editing by Jill Serjeant and Christopher Wilson)


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Sundance 2013: Relativity Acquires Joseph Gordon-Levitt-Directed ‘Don Jon’s Addiction’






LOS ANGELES/NEW YORK (TheWrap.com) – Relativity Media has acquired Joseph Gordon-Levitt’s directorial debut “Don Jon’s Addiction” for $ 4 million, an individual with knowledge of the deal told TheWrap.


The film premiered at Sundance on Friday to great fanfare, and several distributors have been bidding for it.






Relativity won out with a substantial financial commitment and plans for a wide theatrical release this year. It will support the movie with prints and advertising, with the commitment at $ 25 million, an individual told TheWrap.


That would make it the biggest deal from the festival so far.


The film follows Gordon-Levitt – who also wrote and stars in the film – as a lady’s man with a porn addiction. Dissatisfied with his life, he sets out on a Don Juan-esque quest to find love and a more satisfying sex life.


Scarlett Johansson, Julianne Moore, Rob Brown, Tony Danza and Glenne Headly also star in the film.


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Berlusconi sex trial verdict due after February vote






MILAN (Reuters) – Former Italian premier Silvio Berlusconi will not face a verdict in a trial where he is charged with paying for sex with a juvenile prostitute until after elections next month, according to a decision by judges that could help his political comeback.


A new timetable of hearings set by Milan judges on Monday shows the last session in the trial will be held on March 11, well after the February 24-25 elections.






The decision will be welcomed by Berlusconi, who had feared a verdict in the middle of his campaign for a fifth term in office. Milan judges last week rejected his request to have the trial suspended until after the elections.


Berlusconi, who has surged in opinion polls in recent weeks but still lags the centre-left Democratic Party, is charged with paying for sex with a minor, and denies all charges.


The judges on Monday again rejected a bid by Berlusconi’s lawyers to have the trial halted.


The lawyers, Niccolo Ghedini and Piero Longo, justified their new request by saying they are both standing for Berlusconi’s party in the Veneto region and would not be able to campaign if the trial went ahead.


Judge Giulia Turri said the argument was “too generic”.


According to the new timetable, the prosecutor in the case is expected to make her final arguments and request Berlusconi’s to be convicted on February 11.


Berlusconi could be sentenced to up to 15 years in prison but would not serve time unless he also lost the two appeals allowed by Italian law, usually a lengthy process.


The nightclub dancer at the centre of the case, 20 year-old Moroccan Karima El Mahroug, more widely known under her stage name “Ruby the Heartstealer”, made a brief appearance in court last week.


Berlusconi is charged of paying for sex with her when she was under 18, which is a crime in Italy.


He is also accused of abusing the power of his office as prime minister to have her released from police custody when she was briefly held over separate theft allegations.


The next hearing in the case is scheduled for January 28.


(Reporting By Manuela D’Alessandro, Writing by Silvia Aloisi; Editing by Jon Boyle)


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